Click Back on the browser to return or make a New Search |
|
Title: |
The miraculous Mandarin = Der wunderbare Mandarin = Le Mandarin merveilleux; Four orchestral pieces; Three village scenes |
Name: |
||
Other Names: |
||
Artistic Coordinator: |
Produção, Andrew Kazdin.
|
|
Performers: |
Camerata Singers, coro; Schola Cantorum, coro; Hugh Ross, direcção coral; Abraham Kaplan, direcção coral; Lois Winter, mezzo-soprano; Joan Fuerstman, contralto.
|
|
Publication: |
[Hamburg] : Sony Classical, p1991 |
|
ISRC: |
SMK 45837 |
|
Physical Description: | 1 disco (CD) (66 min.) : stereo; 12 cm + folheto (16 p.) | |
Notes: | No do Serviço de Aquisições e Tratamento Técnico | |
Music Category/Genre: | Classical Music | |
Call Number: | 300.BAR.11865+ |
|
TRACKS* / CONTENTS: |
Ajuda
|
|||
4 orchestral pieces, op.12 (Sz.51) | |||||
1.
|
|
Preludio.
|
|||
2.
|
|
Scherzo.
|
|||
3.
|
|
Intermezzo.
|
|||
4.
|
|
Marcia funebre.
|
|||
3 village scenes (Sz.79) | |||||
5.
|
|
Wedding.
|
|||
6.
|
|
Lullaby.
|
|||
7.
|
|
Lad's dance.
|
|||
The miraculous Mandarin, op.19 (Sz.73) | |||||
8.
|
|
Prelude.
|
|||
9.
|
|
The curtain rises.
|
|||
10.
|
|
First seduction game.
|
|||
11.
|
|
Second seduction game.
|
|||
12.
|
|
Third seduction game.
|
|||
13.
|
|
General consternation - The tranps make signs from their hiding place that the girl should start, lure the Mandarin a little closer, ensnare him.
|
|||
14.
|
|
The girl is undecided. She shudders and draws back again.
|
|||
15.
|
|
The girl sinks down to embrace him; he begins to tremble in feverish excitement.
|
|||
16.
|
|
The tramps leap out, seize the Mandarin and tear him away from the girl. They strip him of his jewelry and his money.
|
|||
17.
|
|
Suddenly the Mandarin's head appears between the pillows and the looks longingly at the girl. The four shudder and stand aghast.
|
|||
18.
|
|
The terrified tramps discuss how they are to get rid of the Mandarin at last.
|
|||
19.
|
|
The lamp falls to the floor - goes out. The body of the Mandarin begins to glow with a greenish blue light. His eyes are fixed on the girl.
|
|||