Clique Back no Browser para voltar ou faça Nova Pesquisa
|
|
|
||
|
|
|
|
| |
Clique Back no Browser para voltar ou faça Nova Pesquisa |
||
|
|
Título: |
Raymonda : ballet in three acts, op.57 |
|
Autor: |
||
|
Outros Responsáveis: |
||
|
Publicação: |
[United States of America] : BMG Classics, 1997 |
|
|
ISRC: |
BMG: 74321-49609-2 |
|
| Descrição Física: | 2 discos (CD) (136 min.) : stereo; 12 cm + folheto | |
| Notas: | Intérpretes: Oleg Usach (trompete solo), Sergei Kalinovsky (violino solo), Vera Dulova (harpa solo); Bolshoi Theatre Orchestra Moscow; Evgeny Svetlanov (maestro); No do Serviço de Aquisições e Tratamento Técnico | |
| Área: | Música Clássica | |
| Cota: | 300.GLA.11203/AB |
|
|
FAIXAS* / DESCRIÇÃO: |
Ajuda
|
|||
| Disco 1: Acte I: | |||||
| First tableau: | |||||
|
1.
|
|
Introduction.
|
 |
||
|
2.
|
|
Scene 1: Pages are exercising at arms; others are playing the lute and the viols.
|
|
||
|
3.
|
|
La traditrice (the deceiver). Some girls leave their work and go to dance with the pages.
|
|
||
|
4.
|
|
Scene 2: Entrance of the ladies of honour.
|
|
||
|
5.
|
|
Repeat of the dance.
|
|
||
|
6.
|
|
Mime scene.
|
|
||
|
7.
|
|
The countess's story.
|
|
||
|
8.
|
|
Dances.
|
|
||
|
9.
|
|
Scene 3: Mime scene.
|
|
||
|
10.
|
|
Scene 4: Entrance of Raymonda.
|
|
||
|
11.
|
|
Scene 5: Mime scene.
|
|
||
|
12.
|
|
Scene 6: Entrance of the vassals and peasants.
|
|
||
|
13.
|
|
Grand waltz.
|
|
||
|
14.
|
|
Pizzicato (number by Raymonda).
|
|
||
|
15.
|
|
Repeat of the waltz.
|
|
||
|
16.
|
|
Mime scene.
|
|
||
|
17.
|
|
Prelude and the romanesca.
|
|
||
|
18.
|
|
Prelude and variation.
|
|
||
|
19.
|
|
Mime scene.
|
|
||
|
20.
|
|
Scene 7: Appearance of the white lady.
|
|
||
|
21.
|
|
Entr'acte.
|
|
||
| Second tableau: | |||||
|
22.
|
|
Scene 8: (fantasy scene).
|
|
||
| Third tableau (Raymonda's dream): | |||||
|
23.
|
|
Grand adagio.
|
|
||
|
24.
|
|
Fantasy waltz.
|
|
||
|
25.
|
|
Variation I.
|
|
||
|
26.
|
|
Variation II.
|
|
||
|
27.
|
|
Variation III.
|
|
||
|
28.
|
|
Coda.
|
|
||
|
29.
|
|
Scene 9: Mime scene.
|
|
||
|
30.
|
|
Scene 10: Round of will o'the wisps and elves.
|
|
||
|
31.
|
|
Scene 11: Day breaks.
|
|
||
|
32.
|
|
Scene 12: The women and pages appear on the terrace and seeing their mistress lying unconscious, dash towards her.
|
|
||
| Disco 2: | |||||
| Acte II: | |||||
|
1.
|
|
Entr'acte.
|
|
||
|
2.
|
|
Scene 1: March.
|
|
||
|
3.
|
|
Scene 2: Entrance of Abderahman.
|
|
||
|
4.
|
|
Grand action number.
|
|
||
|
5.
|
|
Variation I (for a female dancer).
|
|
||
|
6.
|
|
Variation II (for a female dancer).
|
|
||
|
7.
|
|
Variation III (for a male dancer).
|
|
||
|
8.
|
|
Variation IV (for Raymonda).
|
|
||
|
9.
|
|
Grand coda.
|
|
||
|
10.
|
|
Mime scene.
|
|
||
|
11.
|
|
Entrance of the jugglers.
|
|
||
|
12.
|
|
Dance of the arab boys.
|
|
||
|
13.
|
|
Entrance of the Saracens.
|
|
||
|
14.
|
|
Grand spanish number.
|
|
||
|
15.
|
|
Oriental dance (Raymonda).
|
|
||
|
16.
|
|
Bacchanal.
|
|
||
|
17.
|
|
Scene 4: Sudden arrival of the knight Jean de Brienne and king Andras II of Hungary with their entourages.
|
|
||
|
18.
|
|
The fight.
|
|
||
|
19.
|
|
Hymn.
|
|
||
| Acte III: | |||||
|
20.
|
|
Entr'acte.
|
|
||
|
21.
|
|
The hungarian retinue.
|
|
||
|
22.
|
|
Grand hungarian number.
|
|
||
|
23.
|
|
Mazurka.
|
|
||
|
24.
|
|
Children's dance.
|
|
||
|
25.
|
|
Entrance.
|
|
||
|
26.
|
|
Classical hungarian number.
|
|
||
|
27.
|
|
Variation I.
|
|
||
|
28.
|
|
Variation II.
|
|
||
|
29.
|
|
Variation III.
|
|
||
|
30.
|
|
Variation IV (Raymonda).
|
|
||
|
31.
|
|
Coda.
|
|
||
|
32.
|
|
Gallopade.
|
|
||
|
33.
|
|
Apotheosis (The tourney).
|
|
||
